Schaubühne Lindenfels: A model for communal culture in Leipzig!
Discover the Schaubühne Lindenfels in Leipzig, a unique stock theater that safeguards culture through community engagement.

Schaubühne Lindenfels: A model for communal culture in Leipzig!
The Schaubühne Lindenfels in Leipzig is an impressive example of how community engagement in the cultural sector can break new ground. Since its founding in 1994, the theater has developed into an important cultural center with a wide range of theater and film screenings, readings, dance and performances. But what sets it apart from conventional cultural institutions is the innovative model of the non-profit stock corporation, which has been practiced here since 2005. The theater does not belong to the city, but to more than 1,200 shareholders who can actively participate in the decision-making and program design, as mdr.de reports.
The idea of buying the Schaubühne Lindenfels itself in 2005 arose from the need to save the theater from being sold. Board member René Reinhardt remembered the critical situation and the considerations that ultimately led to the founding of a stock corporation. This form allows the audience to act as co-owners of the theater. Shareholders not only have voting rights, but also receive a limited work of art in the form of shares designed by various artists.
A unique model
The Schaubühne Lindenfels model is special because it guarantees independence from profit interests. Instead, cultural values are in the foreground. Shareholders have the opportunity to purchase shares at prices of 24, 50, 75, 100 or 240 euros and thereby receive co-determination rights at the annual general meeting. Each share corresponds to one vote, which integrates the community into the decision-making processes, emphasizes the Schaubühne website Schaubuehne.com.
The stock corporation does not pursue any monetary profit. Instead, the “dividends” are understood as culture, independence and community spirit. This shows how cooperative action and shared ownership can succeed without having to rely on public funding. Reinhardt is optimistic that this model could also be successfully implemented at other locations.
Promoting culture through participation
The Schaubühne Lindenfels exemplifies a new understanding of cultural participation and responsibility. It is a place where viewers are not just passive consumers, but active contributors to culture. This audience engagement ensures artistic diversity and offers an alternative model for financing cultural institutions. The Schaubühne impresses with its unique concept and thus becomes an important cultural lighthouse in Leipzig.
The positive response shows that the model of a non-profit stock corporation opens up new opportunities in the cultural landscape and promotes the interaction between art and community. The theater is therefore not just a place of performance, but a space in which the boundaries between audience and stage are blurred.